Project Hail Mary

We went out! For the first time since total knee replacement #2 on March 16, we went to a movie. Thanks to reclining theater seats, my husband was able to elevate his leg enough to make it through a 2+ hour film. He did have to take an oxy about halfway through, but still…he made it…and mostly enjoyed it.

For those who haven’t heard, Project Hail Mary is a blockbuster, feel good, space odyssey, based on the book by Andy Weir, which I have not read.

Here are a few thoughts:

The theater was full of people, including many families. This made the movie going experience more fun. We happened to go to a Saturday matinee the day after the Artemis 2 crew returned safely to earth. The poignancy of the film’s main message (nobody wants to be alone) was enhanced by the good vibes that our stellar astronauts evoked. As eloquent Artemis astronaut Christina Koch told the world upon her return: Planet Earth: You. Are. A. Crew.

Ryan Gosling is charming! We knew this already from Barbie, LaLa Land and other films. But this is his most charming role yet. He’s cute, he’s humble, he’s funny, he’s adorable. Give me Ryan Gosling any day of the week over Matthew McConaughey, Mark Wahlberg or any of the Chrises.

At 2 hours and 36 minutes, the film is a bit too long. I had to leave once to pee during the film and I had already left to pee during the final preview. (I should’ve been able to make it through the whole film.) The boys next to me also had to leave to pee once. But honestly, all films seem too long to me these days. Filmmakers need to edit better. If your average 60-year old woman and 10-year old boy can’t make it through the whole film without peeing, cut some stuff.

But all in all, I give it a thumbs up. It’s a good way to build on the warm vibes the astronauts gave us. Goodness knows, we need all the positivity we can get in light of the total shit show in the White House.

Was this a great crew or what?

Watercolor Journey Update

Warning: This is likely going to be a boring post to anyone but me.

Also, don’t you hate it when people say they’re on a “journey” of any kind? My husband and I were joking that I’d much rather be on a “watercolor journey“ than a “knee replacement journey.” His journey is so much more painful than mine!

As I mentioned, I decided not to continue with another session of the paint-a-long class with Diane because it felt too prescriptive. Still, I wanted to continue learning in a class setting, so I ended up enrolling in another session of “Loosen Up With Watercolors” with Sandra (my first teacher) at the fancier, more expensive community arts center. The classrooms are much nicer there—real art studios with big tables, lots of light, and sinks.

The only problem is that Sandra gives practically no formal instruction. She considers herself your “coach” rather than your teacher, so you have to come up with your subjects yourself. She circles the room giving each person individual guidance. This is honestly hard on the total beginners. They have no idea where to start.

I spent a lot of the first class of this term struggling with my materials. I had purchased tube paints for the paint-a-long class and they’re a different brand from my old pan paints. I decided I liked working from the pan better, so tried to match up the tube colors to refill my half empty pans. Some of the colors had different names for the exact same shade.

I trashed the actual painting I worked on in favor of color identification. I think I have a better idea of what I’ve got now.

I don’t actually have “Opera Rose” in either of my sets. Sandra gave me some of hers. (That’s a color I might want to buy.)

Sandra made a big deal about investing in professional-level paints (this is new—last time she emphasized good paper), which I have not as yet done. I have two “student/hobbyist” level paint sets: Winsor & Newton Cotman pan set ($65) and Royal & Langnickel Essentials tube set ($25). I’m worried that the Royal & Langnickel paints are low quality, but whatever…I’m no Winslow Homer. I’m going to keep using them for now.

I did buy one little tube of professional-level Winsor & Newton Payne’s Grey ($15) and refilled my pan with it. It’s definitely a stronger pigment. A tiny bit goes a long way. Also, the consistency is different. It’s more like honey or syrup and takes longer to harden in your pan. Maybe my strategy will be to replace my current colors with professional-level colors, as needed.

Oh, and thank you to everyone who weighed in on my Artistic Dilemma. I decided to leave the police/ICE officers unpainted, mainly because I kind of liked them unpainted and didn’t trust myself to paint them monochromatically in a way that I liked better. (And once you’ve painted something, it’s hard to undo it.) So here’s what I submitted to the “Art for Democracy” contest:

I’m calling it “Woman in the Teal Bathrobe, Minneapolis 2026”

OK, now I have go back and get my husband at the Physical Terrorist Therapist office. He still can’t drive himself anywhere.