Progress

Yesterday I went to a concert by the world-renowned Boston Symphony Orchestra in Boston’s historic Symphony Hall.

Boston’s Symphony Hall yesterday afternoon

My friend Eileen and I had wanted to attend this particular concert because the planned guest conductor—a young man we knew from our days working together at the Conservatory—was making his Boston debut.

AFTER we bought our tickets, we were notified that he wouldn’t be conducting due to “ the recurring effects of a shoulder injury.” Instead, 29-year old BSO Assistant Conductor Anna Handler would be making her Symphony Hall debut. OK, well at least we were seeing someone’s debut!

The first piece was “The Imagined Forest” by 31-year old British composer Grace-Evangeline Mason. It was atmospheric and beautiful.

Something about seeing these two young women—the conductor and the composer—take their bows together felt like Progress. I’ve seen plenty of women take their bows as soloists, but not as conductors and composers—the artistic leaders—at the very highest level of classical music.

There was no mention of it being a historic first or anything like that, but you could feel that the audience was 100 percent supportive. Partial standing ovation (unusual for the first piece in a concert). Many cheers.

Brava, ladies. Well done. Respect.

29-year old Anna Handler commanded the podium in a focused, confident way as she stepped in for an ailing guest conductor of one of the world’s finest symphony orchestras

Bucket List Progress: Tanglewood

Tanglewood Music Center, the summer home of the Boston Symphony Orchestra is an iconic location in New England. Over the years, I’ve heard many musically-inclined people describe it as their “happy place.” Located in the picturesque Berkshire Hills of western Massachusetts. Tanglewood hosts a variety of concerts, performances, and events featuring world-class musicians and artists. The grounds also include beautiful gardens, walking paths, and vast picnic areas. Purchasing “lawn seats” for a symphonic performance at Tanglewood and picnicking on the grounds has long been on my bucket list. (Tanglewood picnics have a legacy all their own.) Well, yesterday I checked this one off in absolutely spectacular weather.

The first half of the program included a modern piece by a living composer, Anna Clyne, who was there to introduce her work, as well as two gorgeous Mozart arias sung by an ethereal young soprano—Elena Villalón. The second half of the program was Mahler’s Symphony No. 4. The entire program was conducted by James Gaffigan—a young (cute) GenX American.

Besides the fact that we absolutely lucked out with one of the most stellar days of the summer (sunny, not too hot, low humidity), the sumptuous 4-course picnic lunch (provided by gourmet chefs from my church) made yesterday an over-the-top delight. My lifelong friend Gail and I didn’t have to bring a thing other than our lawn chairs. (The picnic lunch was something I won in a church auction last year.)

Holy wow! From the majestic setting, to the history of the hallowed grounds traversed by the greatest American musicians of the 20th century—from Leonard Bernstein and Aaron Copland to John Williams and Renée Fleming—I truly felt the Tanglewood magic.

The orchestra setting up on the stage in the Koussevitzky Music Shed at Tanglewood
Gail and I with a bust of Aaron Copland (1900-1990), the composer of Appalachian Spring
Huge trees provide shade for picnickers at Tanglewood
The fourth course of our picnic lunch: peach and raspberry parfaits

Related post:

From Stockbridge to Boston