Yesterday I went to a concert by the world-renowned Boston Symphony Orchestra in Boston’s historic Symphony Hall.

My friend Eileen and I had wanted to attend this particular concert because the planned guest conductor—a young man we knew from our days working together at the Conservatory—was making his Boston debut.

AFTER we bought our tickets, we were notified that he wouldn’t be conducting due to “ the recurring effects of a shoulder injury.” Instead, 29-year old BSO Assistant Conductor Anna Handler would be making her Symphony Hall debut. OK, well at least we were seeing someone’s debut!

The first piece was “The Imagined Forest” by 31-year old British composer Grace-Evangeline Mason. It was atmospheric and beautiful.

Something about seeing these two young women—the conductor and the composer—take their bows together felt like Progress. I’ve seen plenty of women take their bows as soloists, but not as conductors and composers—the artistic leaders—at the very highest level of classical music.

There was no mention of it being a historic first or anything like that, but you could feel that the audience was 100 percent supportive. Partial standing ovation (unusual for the first piece in a concert). Many cheers.

Brava, ladies. Well done. Respect.